Get married somewhere you can't believe is real.

Elopements and small weddings across Europe. Planned calmly, shot on film and digital, and built around the two of you.

Let's dream up your day →

Your wedding isn't a performance!

(Or at least, it doesn't have to be.)

Not for your guests. Not for tradition. Not for anyone else's expectations.

It works best when two people stop trying to get everything right and just live a day that's about them: who they are, and what they actually want to do.

That's the whole idea here: less performing, more being present. We dream up the where and the when together, and if something comes up, you're never left to sort it out alone, we figure it out together.

A couple by the Mallorcan coast at sunset

It's normal to feel a little overwhelmed at the start. Too many options, the whole map of Europe to choose from, and a nagging worry about what people back home will think. That's the part I'm here for: turning it into a day that feels easy and yours.

Maybe that's a ridge in Mallorca's Tramuntana at first light. A castle in southern Germany. A northern coast where the weather does whatever it wants. Wherever it lands, we build a day that looks like you, and I create images that drop you straight back into it years from now.

A couple by the sea at sunset on Mallorca

A few things people worry about

"Planning an elopement abroad sounds overwhelming."

That part's mine. Planning is included, and we sort it out together. My job is to lift the hassle off you, so it stops feeling like a to-do list and starts feeling like the first part of the adventure. That's where the excitement starts.

"What if it turns into a photoshoot instead of a wedding?"

It won't feel like a shoot. I'll show you a few easy basics, put you somewhere with good light and a backdrop worth standing in, and then let you be yourselves. That's usually when the most natural, romantic moments happen on their own. I'm not directing you, I'm more your third wheel with a camera in hand, ready for them rather than staging them.

"What if the weather doesn't cooperate?"

Weather rarely ruins a day, it usually just changes it. Some of the most striking light comes from cloud, mist, or a sky that won't sit still, and after 15 years shooting outdoors I know how to work with whatever turns up. There's always a backup plan, so a change in the forecast is something we roll with. You won't be the one carrying it.

Johanna & Alex at an alpine waterfall
"Rainer led us to beautiful places without us having to think about a thing. As complete beginners in front of the camera, we lost the fear of not being 'good enough' fast. He helped at just the right second, so we could stay in the day and enjoy it as a couple. His eye for scenery, light, and mood gave us photos even better than we'd pictured."

Johanna & Alex

Hi, I'm Rainer.

I didn't arrive here through weddings. I came through 15 years of landscape and travel photography, learning how light moves, how to read a place, and how to stay calm when a plan falls apart.

For a long time that ran next to a six-figure career that looked good on paper and left almost no room for the work I cared about. After my own wedding, I knew I wanted to spend my time making images like these for other people, and helping them have a day that's theirs.

I shoot film alongside digital. Not as a gimmick. Slowing down changes what you notice. I'm careful with the wild places we use (leave no trace, always). I guide when it helps, with better light, an easier path, or a nudge if you want one, but the rest of the time you'll forget I'm there.

Most couples don't leave feeling like they hired a vendor. They leave feeling like they spent the day with a friend who happens to be very good with a camera.

Rainer Mayer outdoors with his camera
Kristin & Alex on their wedding day
"We'd braced ourselves to be herded from pose to pose. Instead, nothing felt staged. We were at ease the whole time and could even throw in our own ideas. Rainer is basically the ninja of photographers: always there, never in the way. What matters most to us now is that the images put us right back in the feeling of that day."

Kristin & Alex

What's included

Planning, together.

Locations, timeline, scouting, backup options. I've travelled 20+ countries across Europe, so you're not guessing, and you're never doing it alone.

Film & digital, every time.

A look I've spent 15 years building, one that leans on real light instead of heavy editing, and won't feel dated in ten years.

Travel included.

Anywhere in Europe, no per-day fees. Pick the place that feels right. The logistics are my problem, not yours.

A calm presence.

Gentle guidance when it helps. Otherwise, I stay out of your way.

How it works

01

Connect & Dream

A relaxed call to get to know each other and talk through what your day could be. No prep, no pressure, just a conversation.

02

Plan & Prepare

Together we shape locations, timeline, and backups. You lean on what I know about Europe's landscapes, light, and seasons, so the planning feels clear instead of heavy.

03

The Adventure Day

Your day unfolds at its own pace. I guide only when it helps, you stay present with each other, and I photograph it quietly.

04

Relive & Remember

A few weeks later, a hand-built gallery lands in your inbox, film and digital, ready to take you back whenever you want.

A couple on the Mallorcan coast An alpine meadow in golden light A couple on a Mallorcan clifftop

A glimpse of what these days can become.

View portfolio →
"No pressure at the trial shoot or on the wedding day, we always felt in good hands. And we were surprised, in the best way, by how many edited photos we got and how fast (just a few weeks). If you want natural, professional images, even if you've never done a couple shoot before, Rainer's your guy. He adapts to anything, knows what counts, and won't let you down."

Svenja & Colin

Common questions

01 How much does an elopement or small wedding cost?

There's no off-the-shelf package, so the honest answer is that it depends. My fee moves with where we go and how long we're together, not with how much planning the day takes. My travel across Europe, the planning, and both film and digital are always included. On top of that come your own costs for the day: your travel and accommodation, plus whatever you'd like to do, from a quiet picnic to a boat trip or a helicopter ride. You'll find starting points for each region on the pricing page, and once you tell me what you're picturing, I'll send back a clear quote.

02 How many guests can come?

This one's built for small. Just the two of you, or a handful of people you actually want there. Up to around twenty still feels like your day rather than an event you have to host. If you're planning something bigger but you still want it to feel entirely yours, that's exactly what my traditional weddings page is for.

03 Where in Europe can we get married?

Almost anywhere you want. The names everyone knows are popular for good reason: the Dolomites, Tuscany, the Amalfi Coast, Lake Como. But some of my favourite days happen in the quieter places, a ridge in Mallorca's Tramuntana or a valley in the Austrian Alps, well off the usual trail where most people never think to look. If you already have a place in mind, tell me. If you don't, finding the right one is half the fun, and we do that part together.

04 Can we get legally married abroad, or is it only symbolic?

Both work. Some couples sort the legal paperwork quietly at home and save the day abroad for the ceremony they care about. Others marry legally on location. The rules change from country to country, so once we know where you're headed, I'll point you toward what you need.

05 Why film and digital, not just one?

Digital gives me range and lets me move quickly when a day calls for it. Film does something else. It doesn't change what I notice so much as the pace and the feel of how I work, slowing everything down in the best way. The colour and the grain are where the whole look lives, and there's an honesty to analogue that shows the day the way it really was. Both land in your gallery. Film isn't an add-on or an upsell. It's just how I shoot.

06 How far ahead should we book, and when will we see the photos?

Six to twelve months ahead is a good window, though shorter timelines often work, so just ask. After the day, I try to balance getting your gallery to you quickly with giving every frame the attention it deserves. In practice that usually means four to eight weeks for your hand-built gallery of film and digital.

If this sounds like your kind of day

You've read this far, so you're probably not after something loud or for-the-crowd. You want a day that feels like the two of you, and someone steady to help you get there without taking it over.

The next step is easy: a relaxed conversation, no commitment, to find out if we fit.

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